Thursday, June 30, 2011

"Signs of Summer" Artists' Atelier Exhibit Now Up

One view into the gallery for the "Signs of Summer" exhibit. That's my "Yellow Watermelons and Tamarillos" over the door and "Lots of Peppers" on its right.
Today was a non-painting and creating day. Ugh. I'm ready to paint tomorrow. Really ready.

I did manage to pick up artwork from the "Birds of Great Falls" exhibit ("Blue" and "Gone Wild Turkey" are back in my possession) and hang an exhibit ... along with my fellow Atelier and guest Atelier artists. "Signs of Summer" is up for the month of July. And, we're planning the reception for Friday, July 22, 7-9pm. That's at the Artists' Atelier, 1144 Walker Road, Suite G, Great Falls, VA. I hope you can join us.

Not too much to read and look at, then ... but some news on the painting purchases front. "Gelato Shop" has a new owner  ... with very good taste. I love this painting and apparently, I'm not alone. It brings back a lot of really wonderful memories.

And, another of my paintings was out on approval overnight last night. The painting didn't work in the intended spot at the moment. It's easy to get disappointed about that ... but instead I'm really glad that this individual kept thinking about it enough to contact me, come see it, try it out, etc. I want people to want my art, to purchase it ... but most especially, to be thrilled with the particular piece they selected. I realize that it's not always easy to visualize what will work. And, in this case, the painting might eventually be the right selection ... with some other pieces around it, by changing the frame, and hanging a light.

"Gelato Shop" Has a New Owner. Congrats, Diane! Lucky you!
This artist-collector connection is a real relationship. I've had many chances to look at my clients' homes, help them figure out where to hang art or what pieces to select ... and to rearrange and make suggestions as needed. That's actually a thrill for me.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Wednesday, June 29, 2011

Taking the Time to Push Skills to Another Level

I'm impressed. But not surprised. A couple of days ago I read an article about Jacob Collins upcoming show in American Art Collector magazine. (A great magazine for artists and art collectors.) Jacob Collins is one of the top artists in my particular art world.  The article stated that after his landscape show closed in 2008, Collins took a year off from painting -- to work on improving his drawing skills. (He'd only been painting landscapes leading up to that show in 2008 to bring his landscapes up to the quality of his still life and figure work.)

My painting of "Moo" in progress with my subject... outside the comfort zone
This is an artist whose work sells in the $5,000 to $90,000 range (again according to American Art Collector). This is an artist who others look up to -- for his draftsmanship and the undeniable quality of work.

There's a connection here -- between quality of work and the effort/time/energy spent on honing artistic skills. (Isn't that true in every profession or pursuit?) Collins realizes that he can't ever rest on his laurels or start to think his own work is good enough. Just because he's the best one day does not mean he'll hold that title the next. Unless he commits to his art ... and to improving beyond the status quo ... over and over. That attitude and realization drove him to greatness. And that attitude will keep pushing his art to greater ... greatness.

One of the drivers of his decision to step back and concentrate on drawing was seeing the quality being created by other artists. I understand. I look around me and increasingly, there are phenomenal artists and art all around. It's inspirational. And perhaps a bit scary. But, incredibly good for art as a whole. (The competitive spirit is alive and well in the art world -- and partly because of it -- we create better art.)

And What About Me?
I always want to be the best and strive to constantly improve. Keeping my eyes open and objective about my own work drives me to reach new levels.

Painting on site ... from life ... challenging and enriching
That goal is a big part of what drove me to commit to and complete my 100 Faces in 100 Days project this year. (I painted 100 faces, one a day, for the first 100 days of 2011, from life of volunteers, age six-and-a-half months to 97 years old.) It really was time "off" of what I normally do so I could improve skills. It was a huge commitment and it has paid off in making me a much better painter -- being realized as I return to all of the subjects that I painted pre-project -- still lifes, urban landscapes, figurative works, etc.

In reading the article about Jacob Collins, I thought about a conversation I heard about my 100 Faces project from a person analyzing this project's "worth." It was something like ... "she already knows how to paint portraits well ... why would she want to paint so many more of them." That was pretty shocking. The fact that I work at improving my work ... through whatever means I think should work ... is how I got to paint portraits ... and other genres ... well.

How Has the 100 Faces Project Affected My Work?
There's a new ease with which I can approach my work. There's less worry about how to do something -- which lets me concentrate on why I'm drawn to paint the subject and exactly what qualities I will emphasize. I get at the essence and ditch more details.

I'm still taking time to push forward. I'm doing more plein air work (see evidence above) to use as studies for studio paintings and because plein air painting is not my strong suit. It's not going to get better, unless I expend in the time, effort, and energy to improve.

Figuring out what to work on as an artist (and then doing it) is akin to practicing the scales for the musician. You get the mechanics down so beauty can spring forth.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Tuesday, June 28, 2011

"Yellow Watermelon and Tamarillos" Painting Today

"Yellow Watermelons and Tamarillos," oil on linen, 16"h x 20"w, ©Jill Banks 2011
I haven't posted for a couple of days ... just because the paintings in process weren't ready to be viewed. They still aren't ... but I worked on this one today ... and it's finished! Signed my name and all.

I had started it about a week ago and loved the subjects. I wasn't sure what the yellowish-orange and red fruits were ... but researched it on the Internet. Pretty amazing that you can do this. I now know that if you eat this gorgeous fruits skin, the aftertaste reminded one food blogger of soap. Sounds like peeling it is a good idea.

"Papaya and Friends," 16"h x 20"w, oil on linen, ©Jill Banks 2011
The market depicted was from the produce department at Harrod's from our recent London trip. That store is amazing -- a real feast for the eyes. Husband Randy was trying to get me to leave ... for more sightseeing. But I wanted to stay. What a place!

See more of my market paintings in the gallery section of my web site (www.jillbanks.com), click on Market Series.

This one reminds me of another favorite: "Papaya and Friends." It's just as bold and "real."


Framing Today
Actually, Randy's framing ... but I picked out and picked up frames, mats and glazing today from Framemaster's in Merrifield ... for the three drawings destined for the Salmagundi Club's Juried Non-Member Photography and Graphics Exhibition in New York City in August. They are going to be gorgeous! (Randy's putting them together now.) He'll also be framing a fourth piece, my ink wash and pen & ink of Parliament ... that will be available for purchase. Framing transforms these drawings. All four have slightly different mats and frames. They hold together but each piece is matted and framed to reflect differences in colors and textures of the paper and medium used. It seems to be a combination of art form and science to get it all right.

"Portrait of Zoe" Purchased
"Portrait of Zoe" was purchased yesterday as an anniversary gift for Zoe's owner. By posting the finished painting of her, I understand I simplified gift shopping. Having my work turn into a special gift ... is wonderful!

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Saturday, June 25, 2011

The Menagerie, So Far ... And Why I'm Painting Animals

"Portrait of Zoe," oil on linen, 14"h x 11"w, ©Jill Banks 2011
I mentioned a few days ago that I would post my animal/bird paintings here ... to show the growing menagerie. So here it is.

"Moo," 12"h x 9"w, oil on gessoboard
A fellow artist asked me what the source of inspiration was for this new turn. As always, there are a few sources. One strong source of inspiration is husband Randy and my recent trip to London. The bar in our hotel, the Chesterfield Mayfair, was beautiful, with pillows embroidered with dogs on the banquettes, porcelain dogs, paintings of dogs all around. The place, as you'd expect, was also dog friendly ... with a woman coming there with her dog ... who was offered treats and water from an elegant dish. Other artwork in the hotel and in many of the places we visited included animals. My favorite purchase we made during the trip were the many pillow covers we bought at the Portobello Road Market of dogs representing various members of past royalty. I look at and enjoy those every day.

"Pretty Girl Hen," 14"h x 11"w, oil on linen, ©Jill Banks 2011
A major, second source of inspiration was looking at a friend's gorgeous art collection. Not all of the pieces were of animals ... but a lot were and they were beautiful. Perhaps my favorite that I saw was of sheep. Beautifully painted. The animals in art made her home cozier and gave a distinct personality to each room. They were like friends surrounding you.

The fact that I don't usually paint animals makes it appealing as well. I like to keep trying different approaches. I want to experiment and that's easier to do if you are painting something out of the ordinary.

"Blue" won Best in Show
Even though I haven't painted very many, I've won awards/honors with three of them. The second dog I painted, "Max," was a finalist in Artist's Magazine's Annual Art Competition in the Animal/Wildlife Category in 2008. "Blue," my painting of an Eastern Bluebird won Best in Show in the Great Falls Studios Bird Show this month. (The show is up until June 30 at the Great Falls Library, 9830 Georgetown Pike, Great Falls, VA.) And, "Turkey Gone Wild" won an Honorable Mention as best Wild Turkey.

But, the greatest inspiration has come from painting each one. It's just fun and challenging, different and an opportunity to pay attention to these creatures. Get to know them better.

"Turkey Gone Wild," 12"h x 12"w, oil on linen
Baa. Moo. Cockle-doodle-doo.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435




"Max," 12"h x 12"w, oil on canvas placed as finalist in Artist's Magazine's Annual Art Competition in 2008. Private collection.
"Murano Cat," 12"h x 12"w, oil on canvas, ©Jill Banks 2008
"Il Gatto," oil on Raymar panel, 14"h x 11"w, ©Jill Banks 2011

Friday, June 24, 2011

Three Drawings Accepted into Salmagundi Club's Annual Non-Member Exhibition

Good news!

"Elgin Marble," graphite, ©Jill Banks 2011
Three of my drawings -- including two ink washes and one graphite -- were accepted into the Salmagundi Club's Annual Juried Photography and Graphics Exhibition for Non-Members. The exhibition will be held in the lower gallery of this wonderful art club from August 9 through August 19. The exhibition will be open to the public Monday-Friday, 1-6pm and Saturday and Sunday, 1-5pm. Check first, though, before visiting ... as they also schedule special events in the space.

The Salmagundi Club is located at 47 Fifth Avenue, New York, NY 10003. The club has been a center for American art since 1871.

This is my third time being juried into the photography and graphics exhibition ... but the first time getting all three of my entries accepted. Two of my accepted entries were from the April trip to London. Each trip I've gone on so far, I put down my oil paintbrushes and pick up pencils and pen ... giving myself a chance to really take in my surroundings. It's a welcome, enjoyable change.

"Elgin Marble" was drawn in the British Museum of one of the marble statues that used to decorate the Parthenon in Greece. I drew it next to my friends from Rob Liberace's art historical tour group... and I had, with the help of husband Randy, the very best and perhaps only comfortable seat in the place. The rest of the group were sitting on the hard, marble floor and straining to see over the plentiful museum-goers.

"Kensington Gardens," ink wash and pen&ink, ©Jill Banks 2011
"Kensington Gardens" was drawn on the second to last day in London sitting on a bench next to a woman and her two daughters. I loved taking in their conversation while concentrating on my drawing. It was almost lyrical ... with their easy laughter and enjoyment of each other. Most of the fountains were not yet turned on ... throughout London during our stay. Still beautiful, though.

"Market Street Bar & Grill," ink wash and pen&ink, ©Jill Banks 2011
"Market Street Bar & Grill" is the result of drawing with my portrait-turned-drawing-around-town class that concluded this week. My class travels pretty consistently and wanted to learn this ink wash and pen&ink technique to adapt when they, too, leave their oil paints at home. The setting is the Reston Town Center in Reston, VA. So, close to home this time.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435 

Thursday, June 23, 2011

Painting Trip to Kidwell Farm and "Moo"

"Moo," oil on gessoboard, 12"h x 9"w, ©Jill Banks 2011
I spent a good part of the afternoon listening to "baa," "moo" and  "cockle-doodle-doo." Pretty funny. I was making an attempt to paint some farm animals from life. Also pretty funny.

Kidwell Farm is a working farm in Herndon, VA preserved by Fairfax County as part of Frying Pan Farm Park.  Today it was filled with kids ... and horses, sheep, peacocks, hens, roosters, pigs, cows and goats. A noisy, amusing spot.

I started with the roosters and didn't get very far. Let's call them rooster scratches (similar to chicken scratches)... but perhaps recording the colors from life will help with the use of memory and photos. And a return trip to the farm. What was fun was to spend time with these creatures. I found I paid a whole lot more attention when I was trying to capture one of them in paint.

I had better luck with the cows. This one in particular.  When an interloper came between this cow and me, the cow struggled to get back into position. (Even while I was considering changing from face #1 to face #2.) Eventually, though, cow #1 turned around ... along with the rest ... and I packed up and came home to work more from photos.

My conclusion for the day is painting a cow was a lot more difficult than I thought. Painting any animal from life is more challenging than I thought. The answer is working with a combination of painting on site and from photos ... bearing in mind the lessons learned from my 100 Faces project. (To rely on the photos lightly and trust what I saw during the live painting sessions.)

One funny bit about my time with the cow. There were plenty of human visitors checking out how I was doing and one woman noticed that the cow had a tag on her rear. I believe it read "heat checker" ... and she surmised that it noted when the cow was in heat. She then said, "Sort of like a mood ring."

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435 

Wednesday, June 22, 2011

"Tomatoes and Onions" Painting Today

"Tomatoes and Onions," oil on panel, 12"h x 9"w, copyright Jill Banks 2011
I actually spent all day painting a red velvet cake ... but it's not working yet and the photo I took was pretty awful. So ... maybe tomorrow. Depends on how it cooperates.

Then, realizing that I needed to switch subjects, I returned to this painting that I had started as a quick demo awhile ago in my still life class. New tomatoes and different onions were cast as replacements ... and I couldn't find the bowl the originals were placed in ... so left that part of the painting as is. I wasn't sure how successful this was until I took the photo. Funny how that works sometimes. I may still tweak it tomorrow, too  but it looks good to me at the moment. Hope that moment lasts.

We had our end of class party yesterday ... with the majority of the class staying for some good food (lots of good cooks) and fun. This has been a great session and I'm a bit sorry to see it end. I'm still working on what workshops, classes will be offered this summer. Coming very soon!

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435 

Monday, June 20, 2011

"Sunlight, Sunflowers and Orange" Painting Fresh Off the Easel

"Sunlight, Sunflowers and Orange," oil on Raymar panel, 24"h x 18"w, ©Jill Banks 2011
Yesterday ... while we were fete-ing the dads in the family ... I asked for some advice about which painting I should choose  for my image promoting the Great Falls Annual Studio Tour (October 15&16). My advisors chose this painting ... which definitely needed work before being ready to photograph and send off. (The deadline is today.)

It's pretty funny that I had to rush to finish a painting ... considering I have so many existing paintings I could have chosen from. I wanted to pick something new ... and many of my latest works (post my 100 Faces in 100 Days project) have been entered into juried shows or competitions ... or purchased ... or won't be in my studio during Studio Tour.

I'm anxious to hear what you think of it. This was a new challenge (at least, I think it was) with the sunlight streaming through the window silhouetting the flowers. It certainly made for bold, large shapes. (Something I like.)

The Benefit of Dirty Brushes and Watching Mary Beth
Amidst a brush crisis last week, I took a trip to Plaza Artist's Supply store to get some I could actually paint with. I decided to get some that I was familiar with and try some other brands and types as well. I usually use Silver Brush Grand Prix Extra Long Filbert bristle brushes in a variety of sizes ... and then have a few smaller sable rounds. Bristle brushes are good for moving paint around but on smooth painting surfaces they produce a scratchy effect ... especially when the painter using them is not taking great care of them. (On a medium to rough texture surface, they work great.)

I recently heard or read that a softer brush works better on a smooth surface. I can't believe I never thought of that!!!! So I got some nylon, synthetic sable (or mongoose) brushes, too. And, thanks to watching Mary Beth Gaiarin paint the week before, I added in some flats which produce a whole different and exciting stroke. I threw in some rounds, too.

"Yellow Tractor"
This has really been an a-ha moment. Brushes matter. Each one is a tool to be fitted to the "job."

"Yellow Tractor" Will Be Moving
She (or he?) is getting a new home. I'm noticing a yellow trend lately. You should see my palette. And hands!

And, I know I said I'd show you my menagerie of animals in paint yesterday ... but I didn't. Not today either. Sometime soon, though. Stay tuned.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Saturday, June 18, 2011

"Pretty Girl Hen" Painting Today

"Pretty Girl Hen," 14"h x 11"w, oil on linen, ©Jill Banks 2011
I had a hard time stopping painting today. I was definitely having too much fun. And, I was thinking about what I want to do next at the same time. What I figured out is that ... I'm already doing what's next.

"Pretty Girl Hen" is part of my newly realized Feathered and Furry Friends series. Isn't she gorgeous?

Tomorrow ... for Father's Day ... I'll give you a picture of the current members of the flock. I'm looking, too, for some live hoofed, clawed, padded footed models ... as in your cows, horses, dogs, parrots, chickens, rabbits, cats, etc. ... that you'd let me paint somewhere around your premises. Which are hopefully close to mine in the DC area. I'm also planning some trips to the zoo -- just have to figure out what I have to do permission-wise. I will be setting a limit to this series -- as in how many -- and they won't be created on consecutive days. This time around I did discuss the project with husband Randy.  This will be fun! As with my 100 Faces, I plan on working from life. Hope that works! So who has a furry or feathered friend I can paint? Not that many will be chosen, so tell me soon.

More details to follow.


I'm going in a few different directions lately, but I think that's working out just fine. I started a new market painting today and am excited about that. I have lots of ideas about that series as well. My plan is to clarify just what I want to accomplish with those. My love of markets comes from the generosity of them, all the people, bustle, colors. Our trip to London was filled with them plus I want to immerse myself in the ones closer to home.


Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Friday, June 17, 2011

"London Times" Painting Continues Today...

"London Times" work in progress, 18"h x 24"w, oil on linen, ©Jill Banks 2011
This one ... which started out with the title "Rainy Early Evening in London" underwent a name change during today's painting session. You can read about the inspiration for "London Times" on my earlier post. I do transport myself back to places while painting them. I remember the wonderful meal we ate that night at the cafe table shielded ... just barely... by the awning from the rain. My husband Randy and I spent our entire (well, almost) time in London eating Italian fare. Happily.

This is still a work in progress. Lots left to think about and refine. Details to put in or take out.

Speaking of which ... I'm hungry. I need to head off to dinner and may post a new photo of my "Zoe" painting  (of Francie's horse) later.

I'm thinking that I will be at open hours tomorrow, Saturday, noon to 4pm at the Artists' Atelier, 1144 Walker Road, Suite G, Great Falls, VA 22066. Stop in and see me. I just put a bin up there with drawings ... including most from London. They don't have their permanent mats (these things take time) and they're obviously not framed ... but still something fun to look through. Maybe you'll find something there that would be nice for a dad in your life. Who knows?

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Thursday, June 16, 2011

"Yellow Tractor" Painting Today

"Yellow Tractor," oil on board, 10"h x 8"w, ©Jill Banks 2011
This is a continuation from yesterday ... from my outing at Francie's farm. The barn, the backdrop, I believe she said dates to 1860 ... and the light streams in from spaces between the boards.  I love the contrast there, between the manicured gardens and behind the scenes machinery and working parts of the place. There are a ton of places to set up one's easel there.

It's varnishing day, so a few pieces are springing back to life. One I thought you'd enjoy, that you haven't seen for a while, is "Coconut Cake." I think it will be accompanying me to the Artists' Atelier (the studio I share with 15 other artists at 1144 Walker Road, Suite G, Great Falls, VA) tomorrow where I'll be hanging out all afternoon.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435
"Coconut Cake," oil on linen, 20"h x 16"w, ©Jill Banks 2011

Wednesday, June 15, 2011

Painting Horses and Fun on the Farm

"Portrait of Zoe," oil on linen, 14"h x 11"w, copyright Jill Banks 2011

Today was the best day! The pictures tell part of the story...

My class was cordially invited for lunch and painting at Francie Johnson's -- to enjoy her beautiful home and farm with ... about a billion gorgeous, interesting things and horses and chickens and barns that called out to be painted. I spent most of the day following around Zoe, Francie's horse.

Zoe was challenging. She reminded me of some of my moving 100 Faces in 100 Days targets. I tried painting her in her stall where she was intent on a salt lick (vs. me). It was there I decided on this view ... because that's all I had ... and to get it I was holding my canvas while painting to get a better angle. So much for the easel.

"Zoe and Reuben in Hiding," oil on linen, 9"h x 12"w, copyright Jill Banks 2011
We had the most amazing lunch. Fantastic food seems to go hand in hand with art and artists. Here you find people enjoying all life has to offer. We had a smorgasbord with wonderful olives with garlic powder in olive oil (yea!), an amazing sandwich by Carol, and some very good marinated Southwestern cheese by me (Southern Living Best of Barbecue recipe). The food was great, as was the company. I feel lucky a lot. Today was one of those days.

After lunch, I painted "Zoe and Reuben" -- although no one can tell that Reuben exists but me. It could be called horses on the move. I think that I'll paint this again from this study plus photos and see what I come up with. I took very few photos -- and like my experience during my 100 Faces project, when I looked at my subject and then a photo of it, the two bore no resemblance. A good reason to spend more days like today.

"My House," oil on gesso board, 10"h x 8"w, ©Jill Banks 2011
My last painting at Francie's isn't being shown here, but it's intriguing. I painted farm equipment in their ancient barn. I love the start, and idea, ... just needed to pack up and get across the bridge to home before traffic got impossible. So maybe you'll see it tomorrow ... or soon.

When I got home, I decided to do what I'd been wanting to do for awhile. Do a painting of my house. It's so welcoming now with my dad's plantings and Randy's renovations. I set up my easel in the driveway and went to work.

I'm going to keep doing this. Maybe the gnats will pick on someone else. I really want to get out there. Today was a great first step.

I may work on these more ... especially "My House" since I can look at it again... easily. There's much to learn. Fun lessons ahead.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Monday, June 13, 2011

Ink Washes and Pen&Ink from Lake Anne

"Fountain at Lake Anne," ink wash and pen&ink, ©Jill Banks 2011
"Homes on Lake Anne," ink wash and pen&ink, ©Jill Banks 2011
 


I went out with my class today to Lake Anne in Reston -- a frequent hangout of mine that I find incredibly peaceful. We walked way out to the end of the public walkway to get a better view of the houses along the lake. There we got to draw alongside a fisherman (no catch today), meet up with a watercolorist from California who had been painting right around the corner, and talk to some of Lake Anne's regulars.


Today was a pretty great day. I'll share Oscar Haynes motto ... MY attitude is gratitude.

I was painting this afternoon ... in oils ... but while I'm making progress, that painting isn't ready for primetime.

Happy Birthday, Trina!

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

"Gone Wild Turkey" Painting In the Paper This Week

Yep. That's my turkey.

The June 8 edition of the Great Falls Connection reports on the three Great Falls Studios bird exhibits currently on view.

My wild turkey (that won an honorable mention for best depiction of a wild turkey) and Eastern bluebird painting ("Blue" that won Best in Show) are on exhibit at the Great Falls Library, 9830 Georgetown Pike, Great Falls, VA until the end of June.

I sure had fun taking a look. It's a wildly imaginative show. Not at all what you would expect. There are portraits of woodpeckers in oil and ceramic. There's a wood sculpture of a bevy of bluebirds. A photo of bluebird cookies.

I'm off to paint now and will also be posting photos of my ink wash drawings from Lake Anne in Reston later on today.



Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Sunday, June 12, 2011

Oscar Haynes (Face #13) and Bob Simon (Face #100) Share Their Wisdom Today

"Reston Founder Robert (Bob) Simon: Face #100," 12"h x 12"w, oil
Two of my favorite models ... for my 100 Faces in 100 Days Project ... spoke today to share their 190 years + of collective wisdom. These two, Oscar Haynes (Face #13), age 95 and Reston founder Robert (Bob) Simon (Face #100), age 97 provided great inspiration to the packed standing-room only crowd at the Reston Museum. Oscar's great  godson, Eli, introduced the pair (great introduction!) and emceed the question and answer section of the program. I'm glad I didn't have to come up with answers to those questions on the spot.

Oscar's "my attitude is gratitude" motto sure puts life into perspective. When asked whether he would like to undo or redo anything about his life ... he wouldn't want to undo or redo a thing. He treats others well, courteously and feels good about the way he's acted and what's been accomplished. Eli mentioned that to meet Oscar is to become his friend. So true. What a great way to live for  95 years.

It was interesting to me how much I learned about Oscar through this talk. While I painted him, we talked for three to four hours and I'd learned so much. What I realize is that when someone is highly productive, visionary and living life fully in gear for 95 years, getting to know all about that person takes many, many, many, many four hour discussions. He's amazing!!!
"Oscar Haynes: Face #13," 12"h x 12"w, oil on panel

Bob Simon received a lot of questions and praise about Reston. Obviously, and for good reason, people feel passionate about this unique community and place that Bob made a reality. One of his comments that interested me was about density. Some people who already live here fear change and development. He clearly doesn't -- giving the example of Manhattan. With people comes a greater community. You need people to fill the plazas, support businesses, build amenities, make our lives more vibrant. I agree!

Today was about listening ... to wise advice ...  from two passionate, good men. They've set great examples by which to live.


Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Saturday, June 11, 2011

"Zeki" Painting from Open Life Today

"Zeki," oil on linen, 12"h x 9"w, © Jill Banks 2011
Very quick post because we head off to dinner in a few minutes.

Today was the last day of Saturday open life sessions at McLean Community Center ... until the Fall ... so I squeezed in a little under two hours for this one.

And here's a funny, little painting I did this afternoon during open hours at the Atelier. Terri Parent had her opening reception of "Under the Influence" -- her solo show of photography and digital images from this past year of adventures. She set up this table with iced tea and Perrier ... and this was my distant view of it from my easel.

Funny that I was looking back at the previous post about being more deliberate in finishing each painting. I should have added -- if time allows. I didn't have as long as I would have liked or needed on either of these. They are my quick, not studied impressions.

"The Reception," oil, 5"x5", copyright Jill Banks 2011
Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Thursday, June 9, 2011

"Lots of Peppers" Finished and "Cut Sunflowers" Is Getting a New Home

It's been a busy day without a whole lot of painting. Consider this my managing myself day. I was photographing my 100 Faces for an upcoming article (which I'll soon be taking a look at to see what I have to fix/work on tomorrow), helped a fellow artist with her marketing package, took a good look at the wonderful Great Falls Studios show "Birds in Great Falls" now on exhibit at the Great Falls Library, and finished up with "Lots of Peppers" so I could photograph it and apply to the Catharine Lorillard Wolfe Art Club's 115th Annual Exhibition (due tomorrow postmark date). Oh, and I just put all my recent drawings from London and Reston in protective plastic sleeves and paired some up with mats ... to keep them safe. I'm getting smarter about that. Still, my house is a mess and Randy's best friend is here for the Member/Guest golf tournament. How does that happen? I do get closer and closer to really needing a regular assistant/helper. There's just lots to do.

"Lots of Peppers"
"Lots of Peppers," oil on linen, 24"h x 36"w, ©Jill Banks 2011
So I decided that "Lots of Peppers" is my entry to the Catharine Lorillard Wolfe Art Club's 115th Annual. This is my first time applying as a full (juried) member -- and with that honor, every other year, full members do not have to have their work juried in. So, I won't be making an announcement that "Lots of Peppers" was accepted into the show ... because I have been instead. Funny feeling.

In finishing this painting, I changed the "writing" from "Asst. Peppers" to "Assorted Peppers." That's really what I meant in the first place, just was trying to abbreviate it. Wrong idea.

I'm more careful and deliberate in finishing each painting. I'm patient. I'm completely happy with this one. I can't wait to see it framed. You'll be able to see it ... mainly in my studio at the Artists' Atelier/sometimes at my house ... until I need to send it out in late September. It will not be in my studio during Studio Tour ... at least not this year.

The Catharine Lorillard Wolfe Art Club's (CLWAC) 115th Annual Open Juried Exhibition will be held October 4-28, 2-11 at the the National Arts Club, 15 Gramercy Park South, New York, NY 10003. Catharine Lorillard Wolfe was one of the founding board of directors for the Metropolitan Museum of Art and the only woman in the group. CLWAC is a club for women artists and they put on the most beautiful receptions and awards ceremonies of all. They know how to celebrate! One of my proudest moments was winning the Casey Memorial Award for a Human Family Theme from CWLAC in 2008 for "Tea with Anne." The National Arts Club is a great setting as well. I figure "Lots of Peppers" will look pretty great there.

"Cut Sunflowers" Heading for a New Home
Well, that was quick. I know its new owner will be smiling at this one forever. I'd be happy to greet it every day myself.

"Birds in Great Falls" Exhibit
Visiting the Great Falls Studios exhibit (where my painting "Blue" won Best of Show) reminded me of how far we've come ... the artists in this dynamic group. Great Falls Studios just passed the 100th member mark ... incredible! And, we've learned from each other ... challenged each other ... and there's some really great art in Great Falls, Virginia. I'm not usually that fond of themes for exhibits because I don't believe in changing gears or directions for a particular show. I made an exception for this one ... as did many other Great Falls Studios artists ... and we made something special. It highlights our different media, different points of views. Go see it. At the Great Falls Library, 9830 Georgetown Pike, Great Falls, VA 22066. Through June 30. My photos from today ... really aren't so great ... so that leaves seeing it up to you.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Wednesday, June 8, 2011

Painting Sunflowers ... And Decisions

"Cut Sunflowers," oil on linen, 20"h x 16"w, ©Jill Banks 2011
Yesterday's "Cut Sunflowers" continued today ... with  a full day of painting. So much for doing just a little bit. I can't tell you how many times I take three major paintings into the studio ... requiring hours (or days) of work each ... all the time thinking I will get to them all. That "anything is possible" artist mentality ... does not translate to everything is possible in a single day.

I did enjoy every minute, though. The flowers are droopier today and I let them droop. After many hours of painting, I finally got rid of the clippers. They were actually disruptive and didn't add anything to the composition. Everything made more sense after they took a hike.

I've painted a lot of sunflowers in my time. "Sunflowers," a still life my dad set up for me is part of my permanent collection -- and brightens my day -- every day. That's perhaps why I return to them again and again. We've got the same attitude. Sunflowers are my buds.

Something is interesting about this painting. The sunflowers here remind me of my first painting of sunflowers. More than any other. They are soft and happy and droopy and atmospheric ... just like the "Sunflowers" that hang in my house. Hmmmm. See "Sunflowers" at the bottom of this post and tell me what you think.

"Sunflowers and Gladioli," 30"h x 24"w, oil, ©Jill Banks 2009
To Leap or Not... Revised June 9
Okay, never mind.

I decided against taking a particular "leap" that was tempting but not tempting enough.

I was considering going on a painting trip to the Adirondacks where I'd be staying in a dorm room and going off to beautiful spots to paint in plein air with  some outstanding painters from around the country ... who I don't know personally. It sounded intriguing, and difficult, .. and not exactly up my alley ... but challenging. It is billed as a once in a lifetime opportunity and it is probably that.

I'm going to commit to carving my own adventure out ... exactly right for me ... closer to home. I got an offer from my mom ... that my Dad would like to accompany me to the zoo so I could paint or draw ... and I'll take them up on that. When it cools off. And paint them playing cards at Iceberry's in Reston before it does. Stuff like that. Schedule it and do it. So get out around town. This town.

No bears, fewer bugs, great views, new and old friends closer to home. And a nice bed to snuggle into, my own bathroom, a husband to share dinners with and plenty of privacy. 


"Sunflowers II," oil on linen, 30"h x 30"w, ©Jill Banks 2008
See more of my sunflower and other still life paintings on my web site, gallery section, still life page.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435








"Sunflowers" the First, oil on linen, 30"h x 30"w, collection of the artist

Tuesday, June 7, 2011

"Cut Sunflowers" Painting On the Easel

"Cut Sunflowers" work in progress on my easel.
Trina brought in these sunflowers and vase to still life class today and I painted on this a little during class ... and then more after ... and this still needs some work (a little). Long intro, but here it is. I planned on photographing it in stages as a lesson but my card for my camera was at home. I'll do that with the next painting I start.

I've got to go and get some dinner. Check back. There might be some typing left in me.

"Cut Sunflowers" work in progress, 20"h x 16"w, oil on linen, ©Jill Banks 2011.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Saturday, June 4, 2011

"Open Life" Painting and Lots More...

Do you get nervous when I say "lots more"?

Today was a jam-packed day. I worked on "Weekend Edition" this am before heading the Atelier for open hours. There, I worked on the "Piazza di Michelangelo" that sat unfinished during my 100 Faces in 100 Days project. (You'll see it sometime soon.)

"Open Life," oil on linen, 20"h x 16"w, ©Jill Banks 2011
Open Life
From 4 to 7pm, I went to Open Life held at the McLean Community Center (download the PDF on open life sessions near the bottom of the page). I hadn't gotten a chance to do that this year until today. And, next Saturday is the last one of those (long pose) until the Fall. So, good thing I made it!

When I walked in, two painters were there, set up at their easels with large canvases. Actually, one was huge. I had a little 9"x12" canvas in my bag ... that looked ridiculous on the easel. I like little paintings, but, those large canvases looked like way more fun. I trekked out to my car ... and chose a 20"x16" ... not huge, but better.

Open life sessions are fantastic. Such a treat. Easygoing, comfortable ... and I just love every minute of it.

I really like this painting. Everything works, the colors are beautiful and I captured the day. Love those legs, too. Maybe my best legs.

I keep reaping the rewards of my 100 Faces project (read about it on my web site: www.jillbanks.com, go to the 100 Faces project pages). I paint so much more rapidly now at the beginning of a session, which allows me to concentrate on exactly what I want to accomplish with each painting. "Open Life" came together naturally and I spent two of the three hours refining the painting, pushing it in different directions. Being quick means I can take my time even in a relatively short session. A weird idea, perhaps.

"Weekend Edition" work in progress, 20"x20", oil on linen, ©Jill Banks 2011
My only difficulty was the horrible state of my paintbrushes. I promise (myself) that I will clean them tonight as soon as I post this. I didn't have a single small brush to use for her mouth or details. And, most of the larger ones I pulled out were stiff or hard as rocks. Not ideal.

"Weekend Edition" is still a work in progress. It might be my undertaking for tomorrow. I'm trying to get a number of pieces ready for the many juried shows and exhibits that are all right around the corner.

Thinking About Photography
I've been working on pulling together the knowledge and set up for photographing my own work in anticipation of an upcoming article on my "100 Faces in 100 Days" project and publishing a book. I spent a lot of the day Friday working on it ... and there are apt to be plenty more next week. I'll figure it all out, though, with the help of some friends. And guess what that will do? Make my photos on blog posts better and more consistent. Yea!
 

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435
 

Thursday, June 2, 2011

"Lots of Peppers" Today

"Lots of Peppers," oil on linen, 24"h x 36"w, copyright Jill Banks 2011
It's finished ... but needs a signature.

For this entire painting, I've been covered in paint. I squeezed out huge piles of paint ... my entire palette and then submersed myself. Paint in hair. Red paint on my face. You get the picture.

I had fun with this one ... minus maybe the tedium of painting a checkered tablecloth. (I love the result.) The colors and textures of peppers are right up my alley. I believe that the first oil painting I ever sold was of peppers. And, plenty of them have popped into many of my still life paintings over the years. Loved them then, too. The colors are irresistable.

See more of my market series paintings on my web site. 

I met with Terri Parent today ... to discuss if (and what) I would want to teach this Summer. (I was thinking of taking the Summer off.) But, I'd love to hear from any Washington DC local folks what you might be interested in learning and when.

I'll come up with some possibilities and ask you to weigh in. Or suggest your own.

Time to rest.

Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435

Wednesday, June 1, 2011

"Blue" Wins Best in Show

"Blue" wins Best in Show at Great Falls Studios Exhibit
"Blue" was awarded a Best in Show in Great Falls Studios "Birds of Great Falls" June Exhibit at the Great Falls Library. The juror was Joanne Bauer, Exhibitions Director, Greater Reston Arts Center (GRACE). Joanne is also an active birder and leads bird walks in Reston. She monitors bluebirds in Reston for the Reston Association. 


When I took my entries in this afternoon, the library was filled with birds in a wide range of media. They were terrific. Seems the artists in Great Falls wholeheartedly embraced all things birds. Stop by and see the show at the Great Falls Library, 9830 Georgetown Pike, Great Falls, VA 22066. 


Other awards included:
Best of Eastern Bluebird (GF Town Bird): "Bluebirds" by Bill Garrett
Best Pileated Woodpecker: "Pileated Woodpeckers" by Walt Lawrence--Honorable Mention
Best Red-Shouldered Hawk: "Red-Shouldered Hawk" by Ben Cheshire--Honorable Mention
Best Great Blue Heron: "Heron" by Laura Nichols--Honorable Mention
Best American Goldfinch: "American Goldfinch" by Dean Souleles--Honorable Mention
Best Ruby-Throated Hummingbird: "Hummingbird with Passion Flowers" by Brenda Drake--Honorable Mention
Best Wild Turkey: "Turkey Gone Wild" by Jill Banks (me)--Honorable Mention
Special Award for Originality: "Bird Food" by Jan Bender--Honorable Mention

"Blue" was also included in an article last week in the Great Falls Connection ... in news about the election of the town bird.


I was painting today on "Pick-a-Peck Peppers," but my camera was in Randy's car. Alas, no photos today.  But, I bet I finish it tomorrow and I can't wait to hear what you think. I loved painting it ... and love ... it. So, come back tomorrow night and check it out. I'm excited to have a new market painting. 

Randy asked me tonight what I would paint from London. My answer ... to him ... was the markets. Harrod's and Portabello Road and more. Maybe some interiors from the beautiful Chesterfield Mayfair hotel or other stops. These are the visions in my head.


Web: www.jillbanks.com
Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project: www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
Email: jillbanks1@aol.com
Phone: 703.403.7435