Showing posts with label Wayne Plein Air. Show all posts
Showing posts with label Wayne Plein Air. Show all posts

Friday, May 22, 2015

Plein Air Competitions and Quick Draws: A Primer

"Wayne Feed," oil, 16"h x 12"w, ©Jill Banks 2015 painted in Wayne Plein Air ($1250)
Plein Air Competitions and Quick Draws: What are they? What's it like competing in one?

Now seems like the perfect time for this post.

Wayne Plein Air 2015
I'm just back home from a week of painting the town in Wayne Plein Air as one of 30 artists chosen from around the country to find inspiration, create finished works and turn in a total (between us) of 245 pieces of art to be hung with care, ready for the opening gala reception at the end of the week on Saturday, May 16. What's astounding is that none of those beautiful pieces of art existed the week before. I'll give you an insiders look into life at one of these multi-day events.

Call for Artists and Collectors to Great Falls, VA
There's also the first annual Paint Great Falls (Great Falls, VA) plein air competition (May 28-30) and quick draw (Sunday, May 31, 10am to noon) coming up and I'm hoping to entice more folks to come participate (register) and watch as artists of all ages come out to paint (or draw) the town. Find out more about it at and register at the Art of Great Falls.

"Flowers To Go," oil, 12"h x 24"w, ©Jill Banks 2015. I painted this over two consecutive mornings during Wayne Plein Air. The first day, they happened to be paving this little stretch of road that morning. I had to tuck my painting and supplies away while they cleaned off the road. Luckily, one of the foreman warned me. ($1750)

"Painted Ladies," oil, 12"h x 16"w, ©Jill Banks 2015. Painted the last day of Wayne Plein Air ($1250)
What is plein air?
"Plein air" means "in the open air." Artists since the 1800s with John Constable in England and the Impressionists in France painted outside, creating what was in front of them, live -- under Mother Nature's changing conditions -- lighting, movements, weather, wind. This move outdoors was facilitated by the ability to put artists' oil colors into paint tubes and the invention of the French easel. Yea! Life got easier outside the studio. (It's still not easy.) Read a short history of plein air painting here.

"League Shop," oil, 16"h x 12"w,©Jill Banks 2015 painted in the town of Wayne PA. ($1250)
What are the Plein Air Competitions all about?
Fundraising, involving the community in art, art collecting, fun and hard work. There are many plein air competitions springing up all around the country (and beyond). Some are very low key ... you just show up on a given day (or days) and share in the fun of trying to capture your surroundings live. Others require you to register and the first ones to do so can participate. Both of these varieties are unjuried or open events -- no one chooses who participates. The Paint Great Falls event is first come, first served for the plein air competition that takes place May 28 to May 30. (There are still plenty of spots. Registration is open at Art of Great Falls.

"Hung Out to Dry," oil, 20"h x 16"w, ©Jill Banks. Found this location en route to a pizza place. ($1950)
For most of these competitions, participants are asked to paint in certain locations (within a specified radius or a particular place, like St. David's Church) on certain days. As the competition begins, blank paper or canvases are stamped. There are turn-in dates and times when work is delivered, usually framed and ready to hang or on easels ready for judging. In between canvas stamping and delivery, artists search for the places within the competition's allowed locations that best appeals to their tastes. (This might just be the
"Red Barn (Garrett Mill Farm)," oil, 16"h x 20"w, ©Jill Banks 2015. My first clear success for the week. ($1950)
toughest part. It is VERY easy to just search and search for the perfect spot and not leave yourself enough time to paint.)

Because these are competitions, prizes are awarded -- even when participation was not juried. Everyone should give themselves a hand for surviving the search/creation/framing aspects of
"Cooped Up," oil, 12"h x 16"w, ©Jill Banks 2015. Fun with the chicks at Willowbrook Farm (Sold)
the plein air competition. If you happen to be in the lucky few who win an award in a competition, wow! You really are lucky! (And you've put in a ton of hard work and time behind the easel en plein air in preparation.)



How Do Juried Plein Air Competitions Select Artists?
"Snowballs at Strafford," oil, 10"h x 8"w, ©Jill Banks 2015. Found my view by looking up. ($650)
Wayne Plein Air was a juried competition. Artists were asked to submit photographs of their work (online or on a CD) they created en plein air (vs. a studio piece or one created with the use of photography). A juror then selected from the pool of applicants the 30 artists accepted to compete. The artists chosen were phenomenal. What a great group! Proof was everywhere in the gallery (the exhibition continues at the Wayne Art Center through June 27).

How Do Groups Raise Funds through Plein Air Events?
  • Sales of artwork
  • Ticket Sales for receptions/openings 
  • Sponsorships (These events are great for the community at large.)
Plein Air Easton, coming up on its eleventh year in 2015, is the largest and most prestigious juried plein air competition in the United States. In 2013, Plein Air Easton art sales totalled $325,000 with 313 paintings sold in 2.5 days. At the Collector's Preview Party they sold a painting every 45 seconds. Incredible! All that success means that competition is fierce for an artist trying to jury into Easton.

A report from Wayne Plein Air folks is that over 50 paintings were purchased during the opening weekend of the 245 we painted and turned in.  With over a month to go for the exhibit, the Wayne Art Center and the artists may just have a very successful event to celebrate. For Wayne Plein Air, the Wayne Art Center receives 40% of each sale.

What is the Quick Draw?
$10 and a Little Ambition (The Quick Draw)
I LOVE the quick draw -- a timed event generally in a very specific spot. Many plein air competitions include a quick draw that is open to the competition artists and anyone else who would like to join them in creating artwork on the spot.

Paint Great Falls has a Quick Draw component on Sunday, May 31 in the Great Falls Village Centre The Village Green is one of the most popular areas for the townspeople to gather for events.  A Quick Draw Competition for a $10 fee will take place on the Village Green on Sunday, May 31st from 10am-noon, registration opens at 9am.  Artists will paint anywhere within the loop of the Village Green starting at 10am.  Artists will display their completed paintings on easels promptly at noon for judging and selling at the Gazebo through Sunday evening.  Any paintings sold will contribute 25% to The Arts of Great Falls.  Awards for the Quick Draw is $300 for the adult winner and two $50 awards to youth. 

Come Be a Spectator, May 31, 10am to Noon
For those not participating as artists, for two hours you get to see artwork take shape and potentially purchase a piece of the town after Armand Cabrera chooses an adult winner and the two youth awardees. And here's a hint: watch but don't talk or stand too close to the artists during those two hours. They are concentrating!

I've participated in a lot of these quick draws and they are just plain fun for artists and spectators. Wet paintings and drawings are set up on easels right away ... all in a row. For the adult division, you should have frames ready, wired and ready to pop in your art to set on the easel and be hung. For the young ones, framing is not expected.

Hints for Participating in a Quick Draw
Even though you'll be starting with a blank stamped canvas or piece of paper at the allotted time, that doesn't mean you have to start thinking about what you'll do at 10am. I will have picked out my place, area of interest, created a very rough sketch to place by my side, have my palette (or tools ready) and might mix up some of the main colors to use in the scene.

"Two Tents," oil, 10"h x 8"w, ©Jill Banks 2013 created during Mountain Maryland's Quick Draw
Choose your canvas size. Paint or draw in a size that you are comfortable completing in two hours or less. If framing is necessary, have a frame ready for either orientation (portrait or landscape) you might choose. (A square canvas could make this easier.)

Check out the site beforehand. Even sketch there at the same time of day. (I don't do this but you can.) The
A scene from the Mountain Maryland Plein Air quick draw event. All pieces were completed in two hours and then immediately set up on easels for judging.
caveat is that what a place looks like one day doesn't tell you what it will be like another. During the Quick Draw for Mountain Maryland Plein Air during my first year there, I'd selected a kiosk as my focal point and for my sketch getting ready during the hour before the horn blew to start. As I sat there, a tent went up blocking my view ... and my painting became "Two Tents." Stuff always happens.

Have fun!

Look up, down, in front of you, behind you ... a step away left or right, standing up or sitting down to choose your spot. It's a funny dance but the view sure changes with each shift.  It's worth the effort.

What's It Like to Compete in Multi-Day Plein Air Events?
Painting "Hung Out to Dry" during Wayne Plein Air
Everyone reacts differently. Some hate it, some love it. In between moments of frustration and jangled nerves, are opportunities to enjoy and capture fresh views, meet fellow artists, be appreciated for your talent and presence by townspeople, get inside looks at properties that wouldn't be afforded otherwise. It's celebratory. Places are appreciated differently because you were there.

Coming back from Wayne, my head is so full of all the neat moments and memories of six jam-packed days. I painted there the first night ("Wayne Feed") aided by a homeowner who turned on the lights on the gas pump, requested the Christmas lights be turned on, set up a ladder with a Coleman lantern so I could see my palette and painting in progress under the night's sky and offered all the enthusiasm over my progress that one could ever hope for. Days were filled with lots of such positive encounters, reactions.

I spent days around a pregnant sheep, an ornery goose, friendly dogs, chickens, gracious people. I LOVED the view, was grateful that this is what I get to do. One invitation led to another place to paint. While I was working at my easel, Randy took a walk around a gorgeous farm led by a young boy ... who introduced him to the resident donkeys. Watching the two of them was one of the highlights.

The downside is that it is really difficult to choose what to paint -- every day, every part of the every day. Paintings don't always cooperate. I take awhile to settle in to a place, to "get it" and to start painting well. Not everything turns out. (Odds of success are small in plein air painting.) I worry that there will be enough successful paintings to turn in during each receiving date. (For Wayne, we could paint from Monday night to Thursday and had to turn in that work by Thursday at 8pm, framed and ready to hang. Then paint on Friday and turn in work again by 8pm. Then paint on Saturday and turn in that painting by 3pm and get back by 6pm for the opening of the Gala.) It's intense but in the end, I was proud of the paintings ... and happy.

I stayed with a host family (Wendy and Larry Liss) who helped in every way possible including offering great coffee, homemade granola, a comfy room, an easel to put on finishing touches or look at my paintings at days' end and a table for framing. Great company too when I wasn't out painting!

There were bugs. I was covered with paint for days. It was very tiring!

Expenses are few. We met wonderful people who are great supporters. Artwork sells and new collectors added. I'd do it all over again in a heartbeat.  (I'll be going to Telluride Colorado in June for Telluride Plein Air. Can't wait!)

Excuse this very long post. Any questions about the Paint Great Falls and Quick Draw events, please email me at jill@jillbanks.com. I'd be happy to help!

Paintings shown here from Wayne are available for purchase at the Wayne Art Center in Wayne, PA through June 27.

Thanks for reading!


Jill

Phone: 703.403.7435
Email: jill@jillbanks.com
Web:
www.JillBanks.com
Blog: jillbanks.blogspot.com

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See the Events page for more info/updates

May 12-16:  Wayne Plein Air, Wayne and Philadelphia, PA. Juried as one of 30 artists nationwide to paint the area. Exhibit continues through June 26 at the Wayne Art Center
 May 30-31: Art on the Green and Paint Great Falls, Outdoor Art Show (under a tent) and plein air competition and exhibit, 756 Walker Road, Great Falls, VA. Art Show on the Green: Saturday, 9am to 5pm and Sunday, 11am to 8pm. Quick Draw (watch me paint or participate too): Sunday, May 31, 10am to Noon
May 26 - June 5: Salmagundi Club Non-Member Painting and Sculpture Exhibition, Salmagundi Club, 47 Fifth Avenue, NYC. "Green Pastures" accepted into the exhibition.
June 5-7: Rittenhouse Square: The Original Art Show, Philadelphia, PA. Sunday, June 7: I'll be the official demoist at the show at 1pm.
June 18-21: VA Beach Boardwalk Art Show, Virginia Beach, VA. Visit my booth right on the boardwalk.
June 29-July 5: Telluride Plein Air, Telluride, CO.  Juried as one of 32 artists who will spend the week painting this very cool town lined with Victorian houses, bustling street against a gorgeous mountainous backdrop.
July 11-12: Wickford Art Festival, Wickford, RI
July 18-19: Westport Fine Arts Festival, Westport, CT
August 8-9: Mystic Seaport Outdoor Art Festival, Mystic, CT
September 20 & 21: Alexandria King Street Festival, Alexandria, VA
December 3-6: One Of A Kind Show & Sale, Merchandise Mart, Chicago, IL















Wednesday, July 4, 2012

The Imaginary Land of "Figs and Cherries" and the Brandywine River Museum

"Figs and Cherries," oil on Raymar panel, 8"h x 10"w,
After a long hiatus (almost a week?), I'm finally back with a blog post. My head is full of many posts to be -- since those absent days were filled with a trip to Wayne, PA (the exhibit for Wayne Plein Air ended), New Hope, PA (to visit Howard Cooperman's Bucks County Gallery and to see the town), and a tour of the Brandywine River Museum in Chadds Ford -- the source of a ridiculous amount of inspiration. In fact, I can't get it out of my head. Things could definitely be worse.

You know, I go against advice. My blog is never about one thing. It travels in the direction of the next thought. And the next one after that. I'm supposed to stick with a topic.

Figs and Cherries
Reuse and recycle. "Figs and Cherries" were once (a few weeks ago) a different painting -- the demo done for the Great Falls Senior Citizens group.  For the demo, I wanted to show the process of painting, how developing a painting worked. Mission was accomplished but the subject, composition, etc. held no appeal. Today, I wanted to end up with an 8"x10" finished painting (there's a reason) and decided to bring that start to new life. Trader Joe's brought green figs (a great substitute for a lime) and I spent a long time in the aisle deciding between the darker and the more red/orange cherry varieties.

Brandywine River Museum
You're going to be hearing about this for awhile. This is an artist's museum, full of inspiration and writings, messages from the curators that are incredibly personal if art is your chosen path and daily life. The museum collection is surprisingly rich, yet concentrated on the Wyeth art dynasty, grandfather and illustration giant N.C. Wyeth, father Andrew Wyeth (a hero of my late uncle's who I would have loved to have walked with through the museum) and son Jamie Wyeth -- who I'm convinced is a kindred spirit.

Becoming an artist has gone hand in hand with learning about art & art "movements" -- current and past. While art studio classes were part of my schedule in school, I never enrolled in a single art history lesson. Now, I can't get enough.

You keep learning, and everything starts coming together with common threads. A local collector is a specialist in Illustration Art, an area many of us relate to with Saturday Evening Post covers a la Norman Rockwell. Private tours of his fantastic collection have taught me a lot -- the names, the leaders, the beauty in this particular art form. N.C. Wyeth trained a whole school of the best and the Brandywine River Museum was full of his work (the oil paintings on which the illustration plates for Treasure Island were based) and those of his students.

On many, the information plates included the caption for the illustration. I wondered. What is the caption for my "Figs and Cherries?"

Exhibits and Events

August, Visiting Resident Studio Artist, Torpedo Factory, 105 N. Union St., Alexandria, VA, Studio #333

August 1-10, "Quiet" in Salmagundi Club's Annual Photography and Graphics Exhibition held at Denise Bibro Fine Art, Chelsea, NYC.

Sunday, October 14, MPA Artfest Outdoor Juried Arts Festival, McLean Central Park, McLean, VA

Saturday and Sunday, October 20&21, Great Falls Annual Studio Tour, 10am-5pm, visit artists in their studios throughout Great Falls on a self-guided tour. I’ll be at the Artists’ Atelier, 1144 Walker Road, Suite G, Great Falls, VA 22066

Web: www.jillbanks.com
 Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project Page 1 (faces 1-54): www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project.html
100 Faces in 100 Days Project Page 2 (faces 55-100):
www.jillbanks.com/jillbanks/100_Faces_in_100_Days_Project_2.html
Email




Saturday, May 26, 2012

"Blue Pot at the Tool Shed" Painting at Wayne Plein Air

"Blue Pot at the Tool Shed," oil, 16"h x 20"w, ©Jill Banks 2012
The Farmers Market was nice this morning ... but with early rising, putting up the tent, standing on my feet, sweating to death, packing it all back up ... I was not ready to paint today.

So, the painting for today's post is one of my pieces from the Wayne Plein Air competition. "Blue Pot at the Tool Shed" was painted at this beautiful farm which was one of the sites open to us for the week. There were so many spots there that I could have selected. That was one of the problems ... there were so many choices ... it was difficult (and time-consuming) to select one. I'd painted this on Tuesday, our first painting day ... in the afternoon, and then returned there on Thursday afternoon to work more on the pot and chairs. Turned out that I pretty much touched all of the canvas on the second round.  The contrasts and colors ended up so much better with that second afternoon of work.

"Blue Pot at the Tool Shed" is on exhibit, along with seven more of my paintings from the week, at the Wayne Art Center through June 30.

Exhibits and Events
May 1-31, "Out and About" Solo Show, Katie's Coffee at the Old Brogue, 760-C Walker Road, Great Falls, VA. Painting on site: to be announced (the Brogue's closed on Monday, May 28).  Check back here before coming in case times change or dates/times are added. Thanks! Preview the exhibit here.
 
May 20-June 23, Wayne Plein Air Exhibition 2012, one of 34 artists juried to participate in a plein air competition and exhibit in and around Wayne, PA (May 15-19). Gala Preview and Artists' Reception, Saturday, May 19, 6-10pm at the Wayne Art Center. Exhibition to follow May 20-June 23 at the Wayne Art Center.  Eight pieces for purchase/on exhibit.

Web: www.jillbanks.com
 Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project

Email
Phone: 703.403.7435

Sunday, May 20, 2012

The Wayne Plein Air Gala Opening Reception

Me in my corner of the gallery
Last night, the doors opened to the gallery for artists, collectors, volunteers and supporters of the Wayne Plein Air Event and Exhibition. This entire week, I've felt fortunate to be part of this whole event. Each time we turned in paintings, it was rather overwhelming how many beautiful pieces were being created over this short span of four-and-a-half days. 312 pieces were painted, framed, labeled and hung with care in this beautiful space ... that was, on Saturday, full, too with fantastic food, drink, decorations and happy people.

At the end of the week, I created eight pieces. I was happy to have survived the challenge. Enjoyed all the conversations with passerbys and participants in the event. We had wonderful hosts, Bob and Julie Spahr, who welcomed us into their home, and put up with our odd schedules. Every day was fun. I learned a good deal. Met many great artists from throughout the country. Ate outstanding food. Had plenty of adventures to dance around in my head for awhile.

The juror, Jeanette LeGrue, did a wonderful job at the difficult task of choosing award winners out of those 312 pieces of art. Shelby Keefe won Best in Show and Tracey Frugoli won First Place -- each for pieces that made me stop dead in my tracks.

I'll show you all eight of my paintings ... in subsequent posts. The gallery held the paintings we turned in on Thursday ... from our first three days of painting. My other three are spread about the lobby gallery.

This sale and exhibit continues through June 23 at the Wayne Art Center. Today, it opened to the public for the first time. (Yesterday was for ticketed patrons only.)

Exhibits and Events

May 1-31, "Out and About" Solo Show, Katie's Coffee at the Old Brogue, 760-C Walker Road, Great Falls, VA. Painting on site: Wednesday, May 9, 1-4pm and Wednesday, May 23, 1-4pm.  Check back here before coming in case times change or dates/times are added. Thanks! Preview the exhibit here.
 


May 20-June 23, Wayne Plein Air Exhibition 2012, one of 34 artists juried to participate in a plein air competition and exhibit in and around Wayne, PA (May 15-19). Gala Preview and Artists' Reception, Saturday, May 19, 6-10pm at the Wayne Art Center. Exhibition to follow May 20-June 23 at the Wayne Art Center.  Eight pieces for purchase/on exhibit.

Web: www.jillbanks.com
 Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project

Email
Phone: 703.403.7435

Thursday, March 22, 2012

Painting of Horses Start Today: How Do You Like IT?

"Untititled (So Far) Horses" work in progress, oil, 30"h x 24"w, copyright Jill Banks 2012
Today, despite a slow, dubious start ... turned out to be one of my favorite painting days ... ever. That's saying a whole lot. (I'm never short on fun.) I love this subject and the play of sunlight on their manes and legs. Note, too, this is a relatively large canvas. Freeing and fun. Can you tell?

Since visiting Savannah, Georgia this week ... I've been dying to paint these two horses in perfect light. It will be a few days before there will be a chance to return to them, and it will be difficult to wait.

I'm on the road again tomorrow, for a very short trip to the Catharine Lorillard Wolfe Art Club Members' Exhibition reception and awards ceremony. No awards this year, but I'm looking forward to meeting fellow members (I was just juried in last year and this is my first members show). It's almost impossible to do so at their Open Annual Exhibition ... with receptions that are packed with members and non-members alike. The exhibit is being held at the Salmagundi Club in NYC. It should be fun ... and I'm hoping for a small part of the day to paint before heading back home. Maybe?

Web: www.jillbanks.com
 Blog: jillbanks.blogspot.com
100 Faces in 100 Days Project

Email
Phone: 703.403.7435

Register for Spring 2012 Classes
Portrait Painting and Drawing, Mondays, 10am-1pm, starting April 2
Still Life Painting, Tuesdays, 10am-1pm, starting April 3
See Jill's Web Site, Classes page for more information, supply list and registration form. Classes are filling. Sign up now!!!

Exhibits and Events
March 2-31, “Black and White” Exhibit in the Artists’ Atelier Gallery, 1144 Walker Road, Suite G, Great Falls, VA. Visit Saturdays, noon-4pm or by appointment or whenever an artist is in the studio. My entries: “Oscar,” “Quiet”  and “Carpeaux’s Napolitano Fisherboy” charcoal, and “Market Street Bar & Grill” ink wash/pen and ink drawings. Come visit. Reception, Saturday, March 17, noon to 4pm.

March 17-30, Catharine Lorillard Wolfe Art Club’s Member Exhibit, Salmagundi Club, 47 Fifth Avenue, NYC. Award and opening reception, Friday, March 23, 6-8pm. “Hog Wild” and “Dining Alfresco” on exhibit.

April 14-May 4, Salon International 2012, Greenhouse Gallery, San Antonio, TX. Opening Reception: Saturday, April 14, 10am-8pm. “Contrapposto

May 15-19, Wayne Plein Air Festival 2012, one of 34 artists juried to participate in a plein air competition and exhibit in and around Wayne, PA. Gala Preview and Artists' Reception, Saturday, May 19, 6-10pm at the Wayne Art Center. Exhibition to follow May 20-June 23 at the Wayne Art Center. 

May 1-31, Solo Show, Katie's Coffee at the Old Brogue, Great Falls, VA. Reception: Sunday, May 6, 2-5pm. More information to come (when I figure it out).

August 1-31, Visiting Resident Studio Artist, Torpedo Factory Art Center, 105 N. Union St., Alexandria, VA